Saturday, December 10, 2016
Orange County Screenwriters Association
Saturday, December 10, 2016

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logoThe Orange County Screenwriters Association is a not-for-profit organization dedicated to bringing education and resources to all aspects of the film community both amateur and professional!


Saturday, December 10, 2016

OC Screenwriters - Articles

Articles

SPOTLESS

spotlessOne the things I absolutely love about today's entertainment landscape is the ability to see shows that we might never have seen given where they were made.

I've always embraced the shows that were coming across from other countries.  BBC America probably started it but Netflix really pushed this effort. This continues with "Spotless" a Franco-Brit combined production that deals with a quite unusual premise but the world set up here slants everything including normally familiar relationships and consequences of those relationships.

The Premise: Jean Bastier (Marc-André Grondin) who owns a business that cleans up crime scenes, gets involved with gangsters after his shady brother Martin (Denis Ménochet) comes back into his life, forcing Jean to use his cleaning skills to eliminate evidence of crimes.

It's hard to describe this show in some senses.  It's well written, acted and shot.  What also works all the time are the relationships which seem both mundane and profound. spotless

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GOLIATH

goliath"Goliath" is the newest show by super-producer/writer David E. Kelly. 

It stars Billy Bob Thornton and features some great supporting actors like Maria Bello (ex-wife/rival attny), Olivia Thirlby (rival attny), Sarah Wynter (client), Tania Raymonde (hooker/paralegal), and Molly Parker (attny in rival firm.)  William Hurt plays a demonic figure (ala "The Natural") who sits in the dark and uses a clicker to show his anger or disdain for people (you'll just have to see it.)

Kelly tells a personal story of how he promised his kids he wouldn't write any more lawyer shows.  But this isn't like anything you've seen from this prolific writer.  Bad words, drinking, drug use, violence...it follows the trend of the  edgier shows that have been coming out.  It's an Amazon Prime original so they can get away with challenging the audience.

And it does.

Taking place in Santa Monica with locations at the famous dive bar Chez Jay, "Goliath" features an attorney on the edge of slipping away from the legal world until he's approached with a redemption-type case.  The storyline of redemption borrows heavily from "The Verdict" the Lumet/Newman/Mamet courtroom masterpiece that for me never gets old.

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Leah Estrin - A True Pro

leah estrin

Event review
byMark Sevi

THE PRO

The first thing you notice about Leah is she is a no-spin zone - the good kind.  Ask a question and she gives you a straight and honest answer.  It's a reflection of her years in the industry reading and evaluating scripts.  But more than that, it's a true reflection of an industry pro; someone who has seen what being disingenuous can lead to - unrealistic expectations and misunderstandings that becomes heartache and heartbreak as you try to navigate an industry (Hollywood) that you don't understand.

She does understand it oh so well.

The amazing thing about Leah is that this honesty can make some people sound cynical and mean-spirited and Leah is nothing of the sort.  She is open, always smiling, always ready to give someone a great tip.  That was abundantly clear at our event before, during and after.   (more after the jump - hit CONTINUED below)

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Westworld

160825 westworld s1 key art 1024x374Didn't think I was going to enjoy "Westworld" on HBO. I liked, not loved, the movie although it was sufficiently violent and creepy to appease my young mind.

But the first episode of the series has me wanting more.

You think you know what this show is about: A wonderland of fantasy where any whim can be accommodated. That's about as close to what is presented as the old TV show "Fantasy Island" is to the porn films that use the same title. The movie itself showed/implied a lot of this from what I can remember; the series kicks that theme up several notches.

The show's 1st episode more than implies what that would really mean to anyone wealthy enough to buy a ticket to this world where anything goes; and given what's on the horizon technologically- and virtually-speaking, the thought of this world or some form of it existing is getting much closer which is even more troubling.

westworld 2016 evan rachel wood1Violence in "Westworld" is epidemic. The Wild West is used as a motif purposefully. Blood (faux) flows as "people" (robots called Hosts) get their throats cut or shot in the neck. In one scene, a leering manbot host about to rape a fembot prostitute host in a saloon is shot from behind and his face opens like a squeezed grape. It's a quick image but memorable nonetheless. One hapless manbot gets scalped and although you don't actually see the gruesome details (yet) you are shown the beginning and end, and that he has been bled nearly dry by his tormentor.

Ultra-violent, seemingly senseless gunfights take place in streets as outlaws roar through towns shooting women and men. No children have appeared so far but can't that be far behind given the level of violence that the first 45 minutes has shown. Or maybe not. Even the hint of that particular sexual/violent perversion would cross a line because it would be all too possible here and I'm sure neither the builders of Westworld (nor the producers of the show) want to introduce even the possibility of that. Thanks to them (all) for that small restraint although you have to wonder if they are being true to the themes - would that ever be off the table if this Westworld was real? Let's continue to hope so - I don't want to squirm any more than I already am while watching this.

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If You Can't See It, Hear It or Speak it - Don't Write It!

See No Evil Know No EvilOne of the hardest tasks I face as a scriptwriting teacher is convincing new (and sometimes vetted) students not to put internal thoughts into scripts.  I call this inner narrative.  This is action or meanings only a reader would be able to glean because there is no way for a director or actor to matriculate that information to the screen.

Passages like: "He remembered his mother who told him always to wear clean underwear" has no function unless it can be tied to the precise moment that is contextualized in your script.

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